Cinemage refers "images for cinema"and"homage for cinema." On this project, I show still photo images by old-fashioned slide projections. At times, with music which is improvised by solo or duo guitarist(s), or without music, silent. Cinemage can be shown as a performance, or an installation in gallery space.


The visual images are snapshots taken from my daily life. I apply similar methods developed from my work as a composer, particularly the ongoing project Cassette Memories, in which I play field-recordings which I keep as a sound diary. By documenting fragments of my personal life, something is revealed in their accumulation. The meaning of the original events are stripped of their significance, exposing the architecture and essence of memory.


Although most photographers slice out a single moment in time to render an image as absolute, my visual images consist of a moment within a movement. The sensibility is essentially filmic. The photos are more like moving images than stills and the style is similar to Chris Marker's La Jetée. Projected on a screen, the images have the eerie familiarity of an out-of-focus memory and evoke a feeling of déjà vu.


For this project, Loren Conners & Alan Licht, Noël Akchoté & Jean-François Pauvros, and Oren Ambarchi play guitar as solo or duo along with my visuals. The music is equally important as the visual images, and not just accompaniment. These musicians have been examining the relationship between visuals and sound in other projects, and bring a deep understanding of its possibilities to Cinemage.




Something Which Wasn’t Said, black & white, 35 minutes, 2005



Lost City, black & white, partially color, 35 minutes, 2007



After the Rain, color, 25 minutes, 2007